DEEP STORIES: Connecting stories

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If your story turns out to be a different one than you intended when you wrote page one, if the beginning points in one direction but the story follows a different path, you have a duty to return to the beginning and rework it so that it matches what follows.

This is, of course, assuming you like the direction the story took. If you prefer the setup of the opening pages, you can always change the direction of the middle and end sections, rewriting those to match the promise of the opening pages.

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Whichever course you take, make sure the connection between opening and ending is solid. Keep in mind that you can tie any elements together, not only those I mention here, and you can weave those connections through at any point in the story. Protagonist Your protagonist is going to be linked to a variety of story elements.

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His actions will be a primary mover of plot. His dialogue will increase conflict. His re actions will reflect that conflict and will lead to plot action. His personality and quirks, his mannerisms and the props he handles, his perceptions and the other story details that he pays attention to will push your story forward and give it color and flavor.

Characters, especially the protagonist, influence—and should be influenced by —every other story element. A protagonist may not be onstage in every scene of your novel, but he is always active. Incidents may not seem to touch your protagonist, but if something happens that takes an ally out of the picture or that causes the antagonist discomfort, your protagonist should feel the effects of that action.

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  8. Antagonist Should I repeat what I said about the protagonist here for his antagonist? He may not have a reaction to every story event, but he should not be unaffected by all of them.

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    But not all characters get the same amount of page space. Not all get to challenge the protagonist the way your main antagonist does. Even background characters—shoppers in a store or pedestrians on a street—add color and depth and reality to scenes. They bring veracity to story settings.

    Connect your characters to their setting to give readers the experience of a real locale. Tie characters together by their love—or hatred—of someone or something else. Tie characters by their proximity to other characters or story events. They made me think of little crystal balls… a fascinating peek into the peerless depths of a parallel universe which cannot be reached by humans.

    Chevron’s connected machines are telling a story about saving time and money

    When I was standing there, my thoughts drifted away to a behavioral study about horses by the university of Leuven, which I had read a few weeks earlier. It was a study about horse shelters. Self-proclaimed animal lovers always seem to think that horses should not stay outside all the time but need a shelter.

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    But so far nobody has asked the opinion of the horses themselves and not much research had been done about this subject. So the scientists decided to observe a great number of horses for several years at different locations.

    Chevron’s connected machines are telling a story about saving time and money | Transform

    And the conclusion? Same for windy days. Same for cold days. But with both, users found it too boring and confusing to make a bunch of different lists they could share to or view feeds from.

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    The nearest anyone came to getting it right was Path, which had its own Inner Circle list with a similar star logo, but that app never achieved ubiquity. Now after almost 15 years of Facebook, 12 years of Twitter, eight years of Instagram and seven years of Snapchat, that strategy has failed for many, leading to noisy feeds and a fear of sharing to too many. Perhaps Instagram would even allow creators to charge users to be admitted to Close Friends.